九色视频

Diana Adesola Mafe

Diana Adesola Mafe

Professor
Director of the Lisska Center for Intellectual Engagement
Position Type
Faculty
Service
- Present
Biography

Diana Adesola Mafe is Professor of English at 九色视频, where she teaches courses in postcolonial, gender, and black studies.

Her most recent book, (University of Texas Press, 2018), focuses on representations of black women in new millennial British and American speculative film and television. Her first book, (Palgrave Macmillan, 2013), examines the trope of the 鈥渢ragic mulatto鈥 from a transnational perspective.

She has also published articles in MELUS, African American Review, Camera Obscura, The Journal of Popular Culture, Research in African Literatures, American Drama, English Academy Review, Frontiers, Safundi, and African Women Writing Resistance.

Degree(s)
B.A., McMaster University; M.A., University of Guelph; Ph.D., McMaster University

Works

Publications

Peer-Reviewed Books

Where No Black Woman Has Gone Before: Subversive Portrayals in Speculative Film and TV. University of Texas Press, 2018.

Mixed Race Stereotypes in South African and American Literature: Coloring Outside the (Black and White) Lines. Palgrave Macmillan, 2013.

Peer-Reviewed Articles and Book Chapters

鈥淪ister Night, Hooded Justice, and Racial Reckoning in Watchmen.鈥 Forthcoming in Journal of Cinema and Media Studies.

鈥淧hoenix Rising: The Book of Phoenix and Black Feminist Resistance.鈥 MELUS: Multi-Ethnic Literature of the United States, vol. 46, no. 2, Summer 2021, pp. 43鈥63.

鈥淩ace and the First-Person Shooter: Challenging the Video Gamer in Bioshock Infinite.鈥 Camera Obscura: Feminism, Culture, and Media Studies, vol. 30, no. 2, Sept. 2015, pp. 89鈥123.

鈥溾榃e Don鈥檛 Need Another Hero鈥: Agent 355 as an Original Black Female Hero in Y: The Last Man.鈥 African American Review, vol. 48, no. 1鈥2, Spring/Summer 2015, pp. 33鈥48. *AAR Joe Weixlmann Award for the Year鈥檚 Best Essay in 20th- and 21st-century African American Literature.

鈥淚t鈥檚 the Master! (Step in Time): Hearts of Darkness and Postcolonial Paradoxes in Doctor Who.鈥 The Journal of Popular Culture, vol. 48, no. 3, June 2015, pp. 443鈥63.

鈥淕hostly Girls in the 鈥楨erie Bush鈥: Helen Oyeyemi鈥檚 The Icarus Girl as Postcolonial Female Gothic Fiction.鈥 Research in African Literatures, vol. 43, no. 3, Fall 2012, pp. 21鈥35.

鈥(Mis)Imagining Africa in the New Millennium: The Constant Gardener and Blood Diamond.鈥 Camera Obscura: Feminism, Culture, and Media Studies, vol. 25, no. 3, Jan. 2011, pp. 69鈥99.

鈥淜nowing Your Place.鈥 African Women Writing Resistance: An Anthology of Contemporary Voices, edited by Jennifer Browdy de Hernandez et al., University of Wisconsin Press, 2010, pp. 281鈥84.

鈥淎 Portrait of the (Tortured) Artist as a Young (Coloured) Man: Reading Arthur Nortje.鈥 Safundi: The Journal of South African and American Studies, vol. 9, no. 4, Oct. 2008, pp. 427鈥55.

鈥淢isplaced Bodies: Probing Racial and Gender Signifiers in Ngozi Onwurah鈥檚 The Body Beautiful.鈥 Frontiers: A Journal of Women Studies, vol. 29, no. 1, Spring 2008, pp. 37鈥50.

鈥淪elf-Made Women in a (Racist) Man鈥檚 World: The 鈥楾ragic鈥 Lives of Nella Larsen and Bessie Head.鈥 English Academy Review: Southern African Journal of English Studies, vol. 25, no. 1, Spring 2008, pp. 66鈥76.

鈥淏lack Women on Broadway: The Duality of Lorraine Hansberry鈥檚 A Raisin in the Sun and Ntozake Shange鈥檚 for colored girls.鈥 American Drama, vol. 15, no. 2, Summer 2006, pp. 30鈥47.

鈥淔rom 脪g煤n to Othello: (Re)Acquainting Yoruba Myth and Shakespeare鈥檚 Moor.鈥 Research in African Literatures, vol. 35, no. 3, Fall 2004, pp. 46鈥61.

Invited Book Reviews

Speculative Blackness: The Future of Race in Science Fiction, by andre m. carrington. African American Review, vol. 50, no. 1, Spring 2017, pp. 81鈥82.

British and African Literature in Transnational Context, by Simon Lewis. Safundi: The Journal of South African and American Studies, vol. 14, no. 2, May 2013, pp. 227鈥29.

Public Scholarship

Afrofuturism: Blackness Revisualized Film Festival, All Arts, 6 January 2022.

Gothic Research Unit, Stanford University, January 2021.

Media Diversified, 23 April 2018.

Media Diversified, 6 March 2018.

九色视频 Tedx Talk, March 2016.

Other

Grants & Funding
  • 2023 National Endowment for the Humanities Summer Stipend
Honors & Awards
  • 2023-24 Charles A. Brickman Excellence in Teaching Award
  • 2022 R. C. Good Faculty Fellowship
  • 2020 African Literature Association Service Award
  • 2019 African Studies Association Cover Art Prize
  • 2018-23 James M. and Carolyn O. Gillingham Endowed Professorship
  • 2016 African American Review Joe Weixlmann Award for Year鈥檚 Best Essay in 20th- and 21st-Century African American Literature
  • 2015 R. C. Good Faculty Fellowship
  • 2012-15 Suzanne B. and Theodore A. Bosler Endowed Faculty Fellowship

Mentions

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